Here's the main stage webcam at about half-eight on Thursday eve.And here is twenty past eleven

Are those raindrops on the lens? If not, beware the brown acid. Grow into these trousers... >>
When I was a youngster my parents bought me a pair of braces to hold up my new trousers. Of course these were 'Trousers to grow into' and without such support I would have been running around bare arsed. The braces were blue and had pictures of planets and rockets and, in the box, was a genuine ticket to the Moon.
I know, because it said so.
Somewhere in a landfill site, many many years ago...
Here's the main stage webcam at about half-eight on Thursday eve.
This seemed appropriate today.
"At a slight tangent, I was recently pondering on why the 4/4 time signature is so ubiquitous in popular music and why, as a musician, it's so easy to fall into. Is it simply learnt behaviour or is it somehow primal (perhaps connected with the rhythm of walking, for instance)?"I find this a difficult question. 4/4 does have a satisfying appeal but I don't know why it singles itself out in popular music. Other timings are widespread in our culture. Two-steps, polkas and quicksteps are 2/4 or sometimes 2/2, waltz is 3/4 and then you get your foxtrots and tangos etc at 4/4. There are others, 6/8 springs to mind. All seem equally enjoyable to play, sing, listen or dance to. So why 4/4?


